Some idea of reading, writing and painting
we all have wish list..
and mine..for books and a possible record..or two..
o.k., a white woman wants to sing Abby Lincoln, of course i was a bit skeptical, but when i read that abby sign'd off, i'm willing to try..i'll let you know what i think..i took a listen to the samples on her web site and they sound tight..
Daniel Tammet's story has my attention, and i may pick this up sooner than I think i will; I read a review of him and his book in the times for Friday the 16th, which was quite interesting..
so i'm looking forward to picking his story up (plus, he's queer..which made the story all the more interesting to me..)
now, i'm so looking forward to the below cited item i'm thinking right now, would be a good time to pull off my wish list with Amazon.com..since it is about $19.00 retail and i got a little extra spending change by accident..you know..
| Putting the sex back into homosexuality: The best of BUTT magazine so far |
in any case.. another item on my deals with the same subject but more in reference to black men.."Beautiful Bottom, Beautiful Shame: Where "Black" Meets "Queer" by Kathryn Bond Stockton
Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs “black” and “queer” and for black and queer people—overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?
Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study—James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino—and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms “black” and “queer”; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized “skin” of some queers’ clothes, the description of blacks as an “economic bottom,” the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison’s Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.
“Beautiful Bottom, Beautiful Shame is an exciting, pointed, splendidly written, culturally important book.”—Eve Kosofsky Sedgwick, author of Touching Feeling: Affect, Pedagogy, Performativity
Kathryn Bond Stockton is Professor of English and Director of Gender Studies at the University of Utah. She is the author of God Between Their Lips: Desire Between Women in Irigaray, Brontë, and Eliot.
musical experiences



